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Boasting more than 3000 new photographs, 100 enhanced maps, and thousands of short and spirited entries, the guide is arranged geographically by borough, with each borough divided into sectors and then into neighborhood. Extensive commentaries describe the character of the divisions.\u003cbr\u003e Knowledgeable, playful, and beautifully illustrated, here is the ultimate guided tour of New York's architectural treasures. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Acclaim for earlier editions of the \u003cem\u003eAIA Guide to New York City\u003c\/em\u003e: \u003cp\u003e\u003c\/p\u003e \"An extraordinarily learned, personable exegesis of our metropolis. 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Such work can be undone only by acts of reclamation.’\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003eIn a collection of essays, critiques and interviews, bell hooks responds to the ongoing dialogues about producing, exhibiting and criticising art and aesthetics in a world increasingly concerned with identity politics. hooks shares her own experience of the transformative power of art whilst exploring topics ranging from art in education and the home to the politics of space and imagination as a revolutionary tool. She positions her writings on visual politics within the ever-present question of how art can be empowering within the Black community.\u003cbr\u003e\u003cbr\u003eSpeaking with artists such as Carrie Mae Weems and Alison Saar, and examining the work of Jean-Michel Basquiat and Felix Gonzalez-Torres,\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003e Art on My Mind\u003c\/span\u003e\u003cspan\u003e is a generous and expansive body of work that has become increasingly relevant since it was first published in 1995. Here is an essential tool for understanding the contemporary moment, and a fundamental text for any reader concerned with making and sustaining a democratic artistic culture.\u003c\/span\u003e\u003c\/p\u003e","brand":"Penguin Books Ltd","offers":[{"title":"Paperback","offer_id":50852710482222,"sku":"9780241711491","price":921.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/3786\/6798\/files\/9780241711491.webp?v=1770524366"},{"product_id":"buildings-that-changed-history-9780241719985","title":"Buildings that Changed History","description":"\u003cp\u003e • Author(s): DK\u003cbr\u003e • Publisher: Dorling Kindersley Ltd\u003cbr\u003e • Publisher Imprint: Dorling Kindersley Ltd\u003cbr\u003e\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan class=\"a-text-bold\"\u003eExplore the world''s most fascinating historical and contemporary buildings, from ancient pyramids to hi-tech skyscrapers, in this essential guide to architecture.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBuildings that Changed History\u003c\/span\u003e\u003cspan\u003e gives you an overview of the history of architecture from the ancient world to the present day. It takes you on guided tours of more than 50 masterpieces of every architectural style, from the Great Pyramid of Giza to Chartres Cathedral, Sydney Opera House, and the Guggenheim Museum in Bilbao. Each building is analysed visually. CGI cutaway artworks peel away roofs and walls to reveal the bones of the building, and close-up photographs home in on details of style.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBuildings that Changed History\u003c\/span\u003e\u003cspan\u003e takes a truly global look at both historical and contemporary architecture. It shows you how to \"read\" buildings and work out when they were constructed. What is the difference between a Doric and an Ionic column? How does a flying buttress work? Why do concrete balconies appear to float in thin air? You will find the answers here, along with a wealth of intriguing stories about the patrons, builders, and architects who made each architectural masterpiece possible.\u003cbr\u003e\u003cbr\u003eReading \u003c\/span\u003e\u003cspan class=\"a-text-italic\"\u003eBuildings that Changed History\u003c\/span\u003e\u003cspan\u003e is like being taken on a personal tour by a guide who shows you exactly what to look at.\u003c\/span\u003e\u003c\/p\u003e","brand":"Dorling Kindersley Ltd","offers":[{"title":"Hardcover","offer_id":50852713660718,"sku":"9780241719985","price":2227.0,"currency_code":"INR","in_stock":true}]},{"product_id":"architecture-in-indianapolis-1900-1920-9780253072214","title":"Architecture in Indianapolis: 1900-1920","description":"\u003cp\u003e • Author(s): James a. Glass\u003cbr\u003e • Publisher: Indiana University Press\u003cbr\u003e • Publisher Imprint: Indiana University Press\u003cbr\u003e • BISAC: Buildings - Landmarks \u0026amp; Monuments\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eAs the twentieth century began, Indianapolis found itself at the center of a booming commercial and industrial network with new office buildings, department stores, theaters, hotels, factories, places or worship, and the largest electric interurban train network in the nation. The population was growing, as well, with many new residential additions to the city planned, from ornate mansions on the north side of the city to working-class bungalows and apartments.\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eArchitecture in Indianapolis: 1900-1920\u003c\/i\u003e, preservationist and architectural historian Dr. James A. Glass describes the varied architectural currents that shaped buildings in Indianapolis during the first two decades of the twentieth century, a period when the Commercial Club of Indianapolis called the state capital \"the largest inland city.\" With over 300 photographs and drawings, as well as 31 maps, Glass continues the exploration begun in Volume 1 of the variety of architectural styles that the city's builders drew on, including Italian Renaissance, Gothic, Arts and Crafts, Modern, Tudor palace and Tudor vernacular, Prairie Style, and many more. And, like Volume 1, Volume 2 documents the loss of distinctive architecture that has occurred throughout Indianapolis and explains why certain structures were razed. Both volumes together provide the first history of architecture in the city during its first century and will serve as an indispensable reference for decades to come. \u003cbr\u003e\u003cbr\u003eAlong with its companion \u003ci\u003e1820-1900\u003c\/i\u003e, \u003ci\u003eArchitecture in Indianapolis: 1900-1920 \u003c\/i\u003edescribes the varied architecture that architects and builders in the city designed and constructed during the first two decades of the twentieth century and profusely illustrates buildings of that period, providing an indispensable reference for decades to come.\u003c\/p\u003e","brand":"Indiana University Press","offers":[{"title":"Hardcover","offer_id":50852741710126,"sku":"9780253072214","price":4482.0,"currency_code":"INR","in_stock":true}]},{"product_id":"anish-kapoor-past-present-future-9780262026598","title":"Anish Kapoor: Past, Present, Future","description":"\u003cp\u003e • Author(s): Nicholas Baume\u003cbr\u003e • Publisher: Mit Press\u003cbr\u003e • Publisher Imprint: Mit Press\u003cbr\u003e • BISAC: Individual Architects \u0026amp; Firms - General\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe first major American publication on this important contemporary sculptor.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eAnish Kapoor is one of a highly inventive generation of sculptors who emerged in London in the early 1980s. Since then he has created a remarkable body of work that blends a modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. This book--the first major American publication on Kapoor's work--surveys his work since 1979, with a focus on sculptures and installations made since the early 1990s. With more than ninety color images of these ambitious and complex works, three original essays, an extended interview with Kapoor, and selections from his sketchbooks, this book confirms Anish Kapoor's place as one of the most remarkable sculptors working today. Kapoor's work has evolved into an abstract and perceptually complex elaboration of the sculptural object as at once monumental and evanescent, physical and ethereal--as in his famous Cloud Gate (2004) in Chicago's Millennium Park. The works in \u003ci\u003eAnish Kapoor\u003c\/i\u003e include such striking works as Past, Present, Future (2006), 1000 Names (1979-1980) and When I Am Pregnant (1992). This book, which accompanies an exhibition at Boston's Institute of Contemporary Art, offers American readers a long-overdue opportunity to consider the extraordinary clarity, subtlety, and power of Kapoor's art.\u003c\/p\u003e","brand":"Mit Press","offers":[{"title":"Hardcover","offer_id":50852743545134,"sku":"9780262026598","price":1260.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/3786\/6798\/files\/9780262026598.webp?v=1769820249"},{"product_id":"an-unfinished-encyclopedia-of-scale-figures-without-architecture-9780262038676","title":"An Unfinished Encyclopedia of Scale Figures Without Architecture","description":"\u003cp\u003e • Author(s): Michael Meredith\u003cbr\u003e • Publisher: Mit Press\u003cbr\u003e • Publisher Imprint: Mit Press\u003cbr\u003e • BISAC: Design, Drafting, Drawing \u0026amp; Presentation\u003c\/p\u003e\u003cp\u003e\u003cb\u003eMore than 1,000 representations of the human figure in architectural drawings by architects ranging from Aalto to Zumthor, removed from their architectural context.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003eMichael Meredith, Hilary Sample, and MOS present their rich findings on the human presence in architectural drawings not in any chronological or other linear order, but based on the convention of the encyclopedia, thus presenting (and perhaps deliberately condoning) surprise encounters made possible by the contingency created by alphabetical order..... From the contemporary perspective of a pluralistic world, the form of the encyclopedia may be particularly apt to represent such a vast body of material as is presented here: defying any linear historical account or master narrative, it invites the reader to construct his or her own readings of the material by establishing relationships between individual drawings.\u003cbr\u003e--From the foreword by Martino Stierli\u003c\/p\u003e\u003cp\u003eThroughout history, across radically different movements in Western culture, the human figure appears and reappears, in multiple guises, to remind us, the observers, of architectural purpose and of our mutual position in the world....This encyclopedia has enlarged or reduced all figures to the same approximate scale. Meredith, Sample, and MOS have gathered them here in an unprecedented, intoxicating way, like being at a fabulous party.\u003cbr\u003e--From the afterword by Raymund Ryan\u003c\/p\u003e\u003cp\u003eArchitects draw buildings, and the buildings they draw are usually populated by representations of the human figure--drawn, copied, collaged, or inserted--most often to suggest scale. It is impossible to represent architecture without representing the human form. This book collects more than 1,000 scale figures by 250 architects but presents them in a completely unexpected way: it removes them from their architectural context, displaying them on the page, buildingless, giving them lives of their own. They are presented not thematically or chronologically but encyclopedically, alphabetically by architect (Aalto to Zumthor). In serendipitous juxtapositions, the autonomous human figures appear and reappear, displaying endless variations of architecturally rendered human forms.\u003c\/p\u003e\u003cp\u003eSome architects' figures are casually scrawled; others are drawn carefully by hand or manipulated by Photoshop; some are collaged and pasted, others rendered in charcoal or watercolors. Leon Battista Alberti presents a trident-bearing god; the Ant Farm architecture group provides a naked John and Yoko; Archigram supplies its Air Hab Village with a photograph of a happy family. Without their architectural surroundings, the scale figures present themselves as architecture's refugees. They are the necessary but often overlooked reference points that give character to spaces imagined for but not yet occupied by humans. Here, they constitute a unique sourcebook and an architectural citizenry of their own.\u003c\/p\u003e","brand":"Mit Press","offers":[{"title":"Hardcover","offer_id":50852743840046,"sku":"9780262038676","price":5250.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/3786\/6798\/files\/9780262038676.webp?v=1769820248"},{"product_id":"active-matter-9780262036801","title":"Active Matter","description":"\u003cp\u003e • Author(s): Skylar Tibbits\u003cbr\u003e • Publisher: Mit Press\u003cbr\u003e • Publisher Imprint: Mit Press\u003cbr\u003e • BISAC: General\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe first book on active matter, an emerging field focused on programming physical materials to assemble themselves, transform autonomously, and react to information.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eThe past few decades brought a revolution in computer software and hardware; today we are on the cusp of a materials revolution. If yesterday we programmed computers and other machines, today we program matter itself. This has created new capabilities in design, computing, and fabrication, which allow us to program proteins and bacteria, to generate self-transforming wood products and architectural details, and to create clothing from \"intelligent textiles\" that grow themselves. This book offers essays and sample projects from the front lines of the emerging field of active matter.\u003c\/p\u003e\u003cp\u003eActive matter and programmable materials are at the intersection of science, art, design, and engineering, with applications in fields from biology and computer science to architecture and fashion. These essays contextualize current work and explore recent research. Sample projects, generously illustrated in color, show the range of possibilities envisioned by their makers. Contributors explore the design of active material at scales from nano to micro, kilo, and even planetary. They investigate processes of self-assembly at a microscopic level; test new materials that can sense and actuate themselves; and examine the potential of active matter in the built environment and in living and artificial systems. \u003ci\u003eActive Matter\u003c\/i\u003e is an essential guide to a field that could shape the future of design.\u003c\/p\u003e","brand":"Mit Press","offers":[{"title":"Hardcover","offer_id":50852743872814,"sku":"9780262036801","price":2450.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/3786\/6798\/files\/9780262036801.webp?v=1769820249"},{"product_id":"gods-own-language-architectural-drawing-in-the-twelfth-century-9780262047746","title":"God's Own Language: Architectural Drawing in the Twelfth Century","description":"\u003cp\u003e • Author(s): Karl Kinsella\u003cbr\u003e • Publisher: MIT Press\u003cbr\u003e • Publisher Imprint: MIT Press\u003cbr\u003e • BISAC: History - Medieval\u003c\/p\u003e\u003cp\u003e\u003cb\u003eHow modern architectural language was invented to communicate with the divine--challenging a common narrative of European architectural history.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe architectural drawing might seem to be a quintessentially modern form, and indeed many histories of the genre begin in the early modern period with Italian Renaissance architects such as Alberti. 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Interpreting Richard and Hugh's drawings and writings within the context of the thriving theological and intellectual cultures of medieval Paris, Karl Kinsella argues that the popularity of these works suggests that, centuries before the Renaissance, there was a large circle of readers with a highly developed understanding of geometry and the visual language of architecture.","brand":"MIT Press","offers":[{"title":"Hardcover","offer_id":50852744462638,"sku":"9780262047746","price":4220.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/3786\/6798\/files\/9780262047746.webp?v=1770429820"},{"product_id":"the-city-in-the-city-architecture-and-change-in-londons-financial-district-9780262048415","title":"The City in the City: Architecture and Change in London's Financial District","description":"\u003cp\u003e • Author(s): Amy Thomas\u003cbr\u003e • Publisher: MIT Press\u003cbr\u003e • Publisher Imprint: MIT Press\u003cbr\u003e • BISAC: Urban \u0026amp; Land Use Planning\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAn exploration of the dramatic transformation of London's financial district after 1945, viewed at four spatial scales: city, street, facade, interior.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eIn \u003ci\u003eThe City in the City\u003c\/i\u003e, Amy Thomas offers the first in-depth architectural and urban history of London's financial district, the City of London, from the period of rebuilding after World War II to the explosive climax of financial deregulation in the 1980s and its long aftermath. 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Together, this material chronicles the emergence of both a new way of seeing and a new prospect for the discipline that prefigured its digital future--of a \"graph vision.\" Vardouli argues that this vision was one of vacillation toward visual appearance. Digital approaches to architecture, she ultimately reveals, were founded on a profound ambivalence toward the visual realm endemic to mid-twentieth century architectural and mathematical modernisms.","brand":"MIT Press","offers":[{"title":"Hardcover","offer_id":50852745085230,"sku":"9780262049016","price":5554.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0948\/3786\/6798\/files\/9780262049016.webp?v=1770429823"},{"product_id":"prior-art-patents-and-the-nature-of-invention-in-architecture-9780262048958","title":"Prior Art: Patents and the Nature of Invention in Architecture","description":"\u003cp\u003e • Author(s): Peter H. 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